the deep part of The Deep, and art vs. technique?
Friends, I got tired of my own procrastination and worrying over who is going to play the deepest notes in my Celebration of the Deep. Originally written for an altered double bass that is tuned down a fourth so that the lowest pitch was B 3 octaves below middle C, I've struggled with what instruments in a "normal" orchestra can play that low. Contra Bassoon, Bass Clarinet, and yay, Piano. The Ithaca Community Orchestra has access to a piano in their rehearsal and performance spaces, so this is a possibility. No one who has a low reed instrument, would have to be borrowed. So this morning, very nervously, I went to see if the piano at the performance space has a functioning low B. It does! It even sounds pretty good! So I am one very happy camper. I will try Cayenna's conductor/director's idea of doubling that low line with the alternating of two bassoons, this should make it simpler than trying to borrow instruments yes? Si...