Musings of a Composer

 Every now and then I play through older pieces that I never finished for one reason or another, and Ginny is one of these pieces. It was written to honor a close friend of Jerome, the financial client and friend I took care of in 2017 in what turned out to be his final illness. When I met Ginny I was very struck by her strength and determination, her stubbornness and out-front character, as well as her inner kindness and fortitude in taking care of her husband with his health issues. So I wanted her piece to capture all of this! Perhaps I set the bar too high?  The A section I wrote in 2017 came out beautifully, but while I had a basic germ of an idea for the B section, I couldn’t get it to come out right, and basically wore a groove in my brain with that part, such that I couldn’t hear a different part emerging from the A section. Oh no! I was in a composing rut! Over the years since 2017, I’ve continued to tug at this puzzle in Ginny: what was wrong, and how to fix? I would sometime

So I’ve been working on a piece to honor Grant McFarlane, the wonderful accordion player and composer in Paisley, Scotland that I’ve been emailing with and exchanging compositions.  Using the pitches that spell out “Grant”, I found myself writing in Am. I was struck by the similarity to another Name Music piece — yes, Anthony! They share some of the same beginning letters! So I tried out rhythms for the pitches that were DIFFERENT from what I had done with Anthony. The melody seemed to flow out of me easily, with an A section in Am, a B section in Dm, a natural-sounding structure of AABB, a waltz rhythmic feel, and all was well. I entered my hand-written notation into Sibelius right away, because I had arrows all over the place with the ideas for each section, it was not in very good linear order and I didn’t want to have to work too hard to re-create the order! Then, I worked on the chords right away. To do this I usually have my computer play the notation while I pluck the chords on