Actually opened Sibelius today

I'm still hoping for a composing slot in my day soon, and to whet my appetite and appease it a bit all in the same step, I opened up Sibelius and my Water Flows round, which I recently re-wrote in 5 beats per measure.  It has four parts, and to sing along with it I select the first three parts to play, leaving me to sing the 4th part.  This is a good strategy to check out the reality of trying to sing it, from various vantage points, still being one person with one voice (haven't mastered the tuvan harmonic throat singing totally yet).


Just in case you need help looking at the format of this round, each singer (total of 4 needed) enters at the beginning when the preceding singer reaches the second line, which starts with a quarter-note rest then "runs deep..."  So yes obviously someone has to start!  :)  The two measure ending doesn't make alot of sense in this format, sorry!  It is to be harmonized by all 4 voices, what appears here is only one part.  Yikes.  Well, that is a problem for another day.
Enjoy!

Comments

kangath said…
Wonderful, Mer! I sang through your piece, and it is very much you. Looking forward to more . . . I always thought of you as a composer!
12:54 PM
Mer Pantaleoni Boel said…
Thank you, dear! I always think of you as a composer also - as well as a poet, an actress, a playwright, and more...
4:16 PM
Post a Comment

Popular posts from this blog

Am I a Composer?

So this morning I realized that I LOVE putting "Composer" as my occupation on the numerous Customs forms I fill out when visiting Tortola, BVI. I write it in, even when weeks might pass in between composing activities (other than thinking, does that count?). Or maybe the short session I had with my niece Emily in her parents' room at the rental villa counts, where we looked at and listened to several rounds she has been composing; this was spurred by my own project writing rounds apparently, including trying to write rounds in Medieval Modes like Lydian. She was trying a particularly thorny mode with a half step as its first interval, and 2 major thirds in odd places, a middle-eastern scale of some sort most probably. It was great fun to see how she was going about the process of working on rounds. They require lots of creative problem-solving which is a blast, basically. Changing a note early on in the round has ramifications later on as you can imagine, but hearin...
Read more

Light in Winter performance video!

Amazingly enough, I found the DVD that contained the video for Water Bear’s Light in Winter performance, and Tim Reppert, my hero, was able to edit it and mix the sound, and now it is up on our YouTube channel. This is the only significant footage that exists of any Water Bear line-up, and it pleases me no end to have it resurrected. https://www.youtube.com/playlist?list=PLSrdkE0TZt_O_Id2r8wcY5vSt9xD9-Uoo We collaborated with the evolutionary biologist David Sloan Wilson, whose book “Evolution for Everyone: “ I read and absorbed. Then I developed Name Music pieces that could bring to life three concepts from the book: Individual differences, social control, and expanding the circle of cooperation. In between our pieces, David gave two talks on the state of evolution and its application to daily life. David says in the talkback section at the end, that the dress rehearsal where he got to hear what we had prepared was a revelation to him, and led to him adjusting his talk to complement t...
Read more